I was reminded, when flipping through an old Outlook issue, of those now-ancient days (the bad ol' days I call them because I much prefer the new technology that made the production journalist's job so much easier).
So what did this typesetting machine look like? Here is a wonderfully evocative picture from that issue of Outlook by world-renowned photographer Pablo Bartholomew:
Bartholomew writes in the brief accompanying piece that, as a young lad, he used to visit various newspaper offices to drop off his father's copy — Bartholomew Senior was an art critic and also a photographer. A newspaper office then, says Bartholomew, resembled a chaotic circus, involving huge manpower and activity. The write-up continues:
The building was divided into separate floors, the editorial offices high above abuzz with the clank of typewriters, the lead type being set down below, while further down would be the printing press with ink and grease all over the floor, bales of newsprint being unloaded, all with their peculiar smells and sounds. Waves of activity took place as the printed pages of the newspaper, bound for different editions and locations, were manually assembled, bundled into trucks to be driven all night, and to railway stations and airports, to meet our breakfast tea.
The Mid Day office of the early '80s in Tardeo, Mumbai, came instantly to mind when I read that paragraph. Except for the fact that Mid Day was an afternoon newspaper and the printed copies were rushed out to locations nearby and distant in the daytime, everything was as Bartholomew describes it.
- You can take a look at the photograph again and also read the rest of Pablo Bartholomew's short write-up here: "Before the Pixels" (you will need to click through to get to Bartholomew's piece).
- Want to know more about how newspapers were produced in the pre-computer era? Check out this fascinating website: "Newspaper production".
- Also read: "Celebrating Linotype, 125 Years Since Its Debut", a well-deserved tribute to the old warhorse of newspaper production in Atlantic magazine.
- And watch a trailer of Linotype: The Film here.
HMMM, flattery usually gets you everywhere! Seriosly, I also would never want to go back to the old days before technology made things so much easier, but also put a huge burden on the untalented. There is no longer the buffer of being able to blame others for your typos, your bad grammar and sheer lack of imagaination! Nowadays, reporters have to think as visually as sub-editors and even art directors and page designers, when they are working out their stories, which is not a bad thing at all.
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