Why write "noted", "observed", "declaimed", "stated", "remarked"... when "said" does the job so well?

Rule Nos. 3 and 4 from Elmore Leonard’s 10 Rules of Writing:

3. Never use a verb other than “said” to carry dialogue.

The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But said is far less intrusive than grumbled, gasped, cautioned, lied. I once noticed Mary McCarthy ending a line of dialogue with “she asseverated,” and had to stop reading to get the dictionary.

4. Never use an adverb to modify the verb “said” …

…he admonished gravely. To use an adverb this way (or almost any way) is a mortal sin. The writer is now exposing himself in earnest, using a word that distracts and can interrupt the rhythm of the exchange. I have a character in one of my books tell how she used to write historical romances “full of rape and adverbs.”

Learn the other rules from reading this blog post by my favourite blogger, Maria Popova: "RIP, Elmore Leonard: The Beloved Author’s 10 Rules of Writing".

• Illustration courtesy: Joe Ciardiello/Elmore Leonard's 10 Rules of Writing

• ALSO READ: "10 quotations from writers and editors on the importance of editing (or revision)" and "Writing: It's best to keep the basics in mind — because the basics will always be the best"

• EXTERNAL READING: "Remembering Elmore Leonard, A Writer Who Hated Literature"

If you read only one book this year, let it be this one

Back in August last year I had published a post about an inspirational book I had just finished reading.

I was so impressed with the thoughtful advice — and thought-provoking ideas — offered by Clayton M. Christensen and his co-authors in How Will You Measure Your Life? that I wanted everyone I know, especially my students, to read it. (That post — "Reading this book will change your approach to life" — continues to be among the most popular on this blog.)

Recently, I was asked to review the book for the August-September 2013 issue of Books & More.

Here is the review (based partly on my original post) in its entirety:

A life changer

Book: How Will You Measure Your Life?: Finding Fulfillment
Using Lessons from Some of the World’s Greatest Businesses
Authors: Clayton M. Christensen, with James Allworth and Karen Dillon
Publisher: HarperCollins
Pages: 206
Price: Rs. 299 (Flipkart)

IT IS RARE to find two people separated by some forty years in age raving about the same book.

When I wrote about How Will You Measure Your Life? on my blog some time ago, one of my students, Archita Nadgouda, who is in her twenties, wrote to say, “I cannot thank you enough for recommending this book to us! This was just the book I needed at this point of time when I’m embarking on a new relationship and planning a new career.” A few days later, Patrick Michael, executive editor of Dubai’s Khaleej Times who will soon be turning 60, posted his comments: “This is a must-read book for all, especially those starting out in life.”

On second thought, however, I am not surprised that both Archita and Patrick were entranced by what How Will You Measure Your Life? has to offer.

Like me — and like you — they must have asked themselves these universal questions many times over the years:

• How can I be sure that I will find satisfaction in my career?
• How can I be sure that my personal relationships become enduring sources of happiness?
• How can I avoid compromising my integrity?

Unbelievable as it sounds, How Will You Measure Your Life? not only provides the answers to these questions but also explains, with the help of real-life examples, how we can find fulfillment.

Slim in size but big on ideas, this book does not claim to offer simplistic answers. Instead, as in the introductory chapter, it provides insightful illustrations of how the theories this book propounds can help us in our lives. We first learn that people often think that the best way to predict the future is by collecting as much data as possible before making a decision. “But this,” the authors tell us, “is like driving a car looking only at the rear-view mirror — because data is only available about the past.”

The authors then explain why experience and information by themselves are not enough: “There are many times in life where we simply cannot afford to learn on the job.… This is why theory can be so valuable: it can explain what will happen, even before you experience it.”

Then, in the first section titled “How to Find Happiness in Your Career”, the authors examine what it is that really makes us tick, and follow it up with an enlightening debate on "incentive" versus "motivation". By the time we are through with this section, we understand clearly why motivation trumps financial incentive every time.

Section 2 deals with "Finding Happiness in Your Relationships". Too few of us seem to have understood that there is much more to life than our career. That is why we focus a great deal on becoming the person we want to be at work — and far too little on the person we want to be at home. We indulge in this self-destructive behaviour because, the book tells us, investing our time and energy in “raising wonderful children or deepening our love with our spouse often doesn't return clear evidence of success for many years”. Consequently, we over-invest in our careers, and under-invest in our families. What is the danger here? If we don’t nurture and develop those relationships, the book warns us, our family won’t be there to support us if we find ourselves traversing some of the more challenging stretches of life, or as one of the most important sources of happiness in our life.

The third and final section, which happens to be the shortest, is devoted to the topic of living a life of integrity. Titled "Staying Out of Jail" (how appropriate), this section explores a theory that, the authors say, will help you answer your final question: How can I be sure I live a life of integrity?

And, finally, here's a quote from the book that should motivate you to grab hold of a copy right away:

It is frightfully easy for us to lose our sense of the difference between what brings money and what causes happiness.

If you read only one book this year, let it be this one. Especially if you are young and have embarked, or are about to embark, on a career and a relationship.

Quotes from books, quotes by writers... to inspire, influence, and induce a new way of thinking-4

This was published in the August-September 2013 issue of Books & More magazine:

BOOKMARKS

Quotes from books, quotes by writers... to inspire, influence, and induce a new way of thinking/RESEARCHED AND COMPILED BY RAMESH PRABHU 

"We accept the love we think we deserve."
— "Bill" to "Charlie", the main protagonist of The Perks of Being a Wallflower, by Stephen Chbosky. "Charlie" had just told "Bill", his teacher, that his sister's boyfriend had hit her but she was still going around with him

*
"Inside us there is something that has no name. That something is what we are."
— Portuguese writer and recipient of the 1998 Nobel Prize in Literature José Saramago, quoted in Salman Rushdie's memoir, Joseph Anton

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"If you love life enough, it would seem you can force life to be good."
— American journalist Martha Gellhorn, in an article about life in post-war Italy, written in 1949. The article is part of an anthology of Gellhorn's writings, The View from the Ground 

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"An information-rich world is a time-poor world, and a time-poor world is an attention-poor world."
— P.M. Forni, in The Thinking Life: How to Thrive in the Age of Distraction

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"A great distance between you and your enemy is still the best defence."
— Czech refugee "Carl Zlinter" to "Jenny" in Nevil Shute's The Far Country, which is set in small-town Australia

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"Writing books is the closest men ever come to childbearing."
— Norman Mailer, American novelist whose most popular books are The Naked and the Dead and The Executioner's Song 

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"Flying is learning how to throw yourself at the ground and miss." — Douglas Adams in The Hitchhiker's Guide to the Galaxy

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"If a problem has no solution, it is not a problem to be solved but a fact to be coped with over time."
— Former Israeli prime minister Shimon Peres to Donald Rumsfeld, twice U.S. secretary of defence, quoted in the latter's book, Known and Unknown: A Memoir

*
"What do they know of cricket who only cricket know?"
— C.L.R. James in Beyond a Boundary, hailed as the most finely crafted book on cricket ever written. It is said the book is, in a sense, a response to a Rudyard Kipling quote from the poem "English Flag": "What do they know of England who only England know?"

• ALSO READ: Quotes from books, quotes by writers... to inspire, influence, and induce a new way of thinking-3

How do you like the idea of a short story that can be read in three minutes or less?

I discovered NPR's "Three-Minute Fiction" contest by chance some four years ago. And shortly afterwards, on October 29, 2009, I sent out an e-mail recommending it to Commitscions.

I also mentioned in that e-mail that "Postmortem", one of the contenders for the top prize, had been submitted by well-known Indian author Amitava Kumar. (Each story had to be an original work of fiction and begin with this sentence: "The nurse left work at five o'clock.")

I received feedback almost instantly:

• From Padmini Mazumder (Class of 2011)

I absolutely love short stories. I think it takes a lot of imagination and quick thinking to write one AND it takes me only a few minutes to read one. :)

Sir, I hope you read "The Last Leaf". Please do. O'Henry rules the short story scene!

• From Ranjini N. (Class of 2010)

I think "Postmortem" is simply awesome. There is a beauty in telling the story in a few words and then subtlety in leaving a lot to the imagination of the reader by not saying it all. Amazing!

You can read "Postmortem" here. Incidentally, Amitava Kumar has just published his latest book, non-fiction this time, titled A Matter of Rats: A Short Biography of Patna. You can read up details on Amitava Kumar's blog.

NPR's "Three-Minute Fiction" contest, meanwhile, continues to be as popular as ever. For the most recent round of the competition, guest judge Karen Russell asked participants to submit original short fiction in which a character finds something he or she has no intention of returning. The winning story this round was "Reborn" by Ben Jahn (pictured below).

You can read "Reborn" here.

And check out more of the goodies NPR, formerly National Public Radio, has to offer: books, movies, games and humour, music, and, of course, news.

ALSO READ:

• An innovative and revolutionary short story series in "Mint Lounge"

• The short story that "did more in nine pages than most novels do in nine chapters"

• Rajesh Parameswaran: An exciting new practitioner of the short story form

• Difficult Pleasures: Anjum Hasan's short-fiction collection

His views on "older reading media" — a reference to books — may be a little extreme, but...

...Rick Gekoski's thoughts on how a Kindle transforms your life are spot-on:

I'm a rare book dealer, but since getting an e-reader older reading media seem awkward and cumbersome.

Here's an excerpt from Gekoski's column in a recent issue of The Guardian:

...as I discovered on our way to Heathrow, I had forgotten to take my Kindle. This has never happened to me before, for it is now so essential that I almost buy it a companion ticket. When it became clear, checking my bags for the third time, that I was now Kindle-less, I had a reaction so acute as to qualify, almost, as an anxiety attack. No Kindle? What was I going to do?

Read the article in its entirety here.

And, afterwards, read my post to understand why I am crazy about my Kindle Fire: "The best thing since sliced bread for book-lovers (a Facebook conversation)".

The hoax that shook the Washington Post to its foundations

In journalism class this week at Commits we watched that venerable classic, All the President's Men, based on the book of the same name by Bob Woodward and Carl Bernstein, the two Washington Post reporters who exposed the Watergate scandal. Their dogged investigation ultimately brought down the most powerful man on the planet.

A day later, the students watched Frost-Nixon.

Afterwards, Commitscion ASWATHY MURALI (Class of 2015), who has been checking out Washington Post-related articles, made the valuable suggestion that there should be something on the Reading Room blog about the hoax that shook the Washington Post to its foundations: "Jimmy's World", the story by Janet Cooke that won her a Pulitzer Prize but was later proved to be a fabrication. You can get all the details on "Story Lab", a very interesting blog published by the newspaper: Story pick: Janet Cooke and "Jimmy's World".

(What is Story Lab?  According to the "About" page, this is "where readers and reporters will come together to create and shape stories. Washington Post writers will talk about some of the hard choices involved in journalism". Read the description in its entirety here.)

• ALSO READ: "The plagiarism case that shook the New York Times to its foundations".

• PS: Aswathy Murali tells me "A Boy of Unusual Vision", which won Baltimore Sun reporter Alice Steinbach a Pulitzer Prize in 1985, is her favourite feature. I have to say I am gratified that our students are taking an interest not only in happenings around them (reading the daily newspaper has become a habit now) but also in events that have shaped our understanding of the world around us.

UPDATE (August 6, 2013): The Washington Post has just been sold to Amazon founder Jeff P. Bezos for $250 million. I first read the news on The New York Times website this morning:

The Washington Post, the newspaper whose reporting helped topple a president and inspired a generation of journalists, is being sold for $250 million to the founder of Amazon.com, Jeffrey P. Bezos, in a deal that has shocked the industry.

Read the full news report here. And read this opinion piece, too: "The end of the Graham era".

How would you like to take the world's best courses, online, for free?

An interesting piece by Shai Venkatraman in yesterday's Mint informs us that Indians have taken to Massive Open Online Courses, or Moocs, in a big way.

But what exactly is a Massive Open Online Course?

It is “massive” because thousands of students can enrol for a course at a time; “open” because all one needs is an Internet connection; “online” because that is the manner of delivery; and “course”, because like any regular college programme, there is homework and tests. At the end of the course, usually ranging from three weeks to 18 weeks, students get to know whether they have passed or failed.

Venkatraman first introduces us to Rashmi Jain, a 34-year-old Mumbaikar who is employed by Reliance Communications, who commutes to work by train, and who signed up for a Massive Open Online Course three months ago:

Every day, en route to work, she is hooked to her cellphone, watching internet video lectures on game theory, marketing, and consumer psychology by faculty from Duke University and Michigan State University in the US. “I was looking to acquire new skills,” says Jain.

We learn that, be it engineering, humanities, or math, many top-notch universities around the globe have begun offering a range of programmes, free of cost, via Moocs. And that two of the big players on the Moocs stage are Coursera, an education start-up, and Udacity, which "was born out of a Stanford University experiment. Venktraman writes that both Coursera and Udacity have a significant number of Indians among their students.

Read the article in its entirety here and, then, check out the many Moocs offered by Coursera and Udacity.

An acclaimed young author, Skype... and Kalidasa's immortal Sanskrit epic

What greater comment could be made on the state of Indian education than a man sitting in India learning a dead Indian language through Skype?

The man sitting in India is author Aatish Taseer, the son of noted Indian journalist Tavleen Singh and Salmaan Taseer, the Pakistani politician who was assassinated by his own bodyguard in Islamabad two years ago.

The man teaching him a dead Indian language — Sanskrit — via Skype is his professor at Columbia University in New York.

And the excerpt above is from Aatish Taseer's fascinating piece on Kalidasa's epic, The Birth of Kumara, which I discovered very recently in the "You Must Read This" section on the NPR website.

Taseer, whose widely praised memoir, Stranger to History: A Son's Journey Through Islamic Lands, was published in 2009, describes The Birth of Kumara as "one of those miracles of literature in which the divine and the temporal; the symbolic and the real; and the big impulses and the exquisite detail run together seamlessly".

He then explains why this assignment is so important to him:

For me, with the cultural impoverishments of my colonial education, it meant something more: my first foray into a literary past that I thought was closed to me.

How well Taseer expresses himself! Read the column in its entirety to understand the power of words: "Cosmic Love: A Sensual Sanskrit Epic Revived". Check out the comments, too.

• "You Must Read This" presents conversations with writers about the books they love to read and recommend. So, afterwards, feast your eyes on the other gems in this section. As for NPR, Wikipedia has a comprehensive page on this privately and publicly funded media organisation based in the U.S.

What does it take to be a success in film and television production? Learn from the Dream Team

Time Out Bengaluru, our city's best "local magazine", has published in its most recent issue some top-notch features that will be of great interest to the many young people out there who are keen to make a mark in film and television production.

In the cover story titled "Crew Control", the magazine's staff writers have profiled eight young professionals who are "working behind the scenes".

Here's the full list from the Time Out website:

Indiegenous

Anand Gandhi talks to Time Out about creating a conducive environment for films like Ship of Theseus to thrive in

In development

Shaan Vyas tells Time Out about getting creative with film production

Getting it write

Time Out talks to Sita Menon, one-third of Bollywood’s best writing team

View finder

Siddarth Diwan is both idealistic and pragmatic about being a director of photography in the era of the big studio, finds Time Out

Taking the shot cut

Dipika Kalra’s editing chops place her in an illustrious line of women film editors, says Time Out

Art conditions

Sonal Sawant tells Time Out that she might not have been mature enough to assume production designer duties for her first film, Lakshya

Of sound mind

Anthony Ruban talks to Time Out about the finer aspects of on-location sound recording and giving films their aural identity

Cast system

Anmol Ahuja acts as the perfect bridge between directors and actors, writes Time Out

Click on each of those links NOW.

• ADDITIONAL READING: "What it means to be an entertainment television production professional" and "What does a production designer do?"

• ALSO READ: "The joys of filmmaking" (The Commits Chronicle, No. 77) and "A production workshop that ended on a high note" (The Commits Chronicle, No. 71).

UPDATE (August 2, 2013): Commitscion PAROMITA CHAKRABORTY (Class of 2007), a senior producer with MTV in Mumbai, commented via e-mail:

"Being successful in the constantly evolving entertainment industry is something that deserves recognition and acknowledgement"

The success stories in the "Dream Team" section (incidentally, "Dream Team" was the name of a show I was working on for NDTV Imagine Showbiz in 2008) sure made me nostalgic. Such articles are always great sources of inspiration for freshers! Whether you are born with a silver spoon or you pick up interesting and relevant information from the internet, being successful in the constantly evolving entertainment industry is something that deserves recognition and acknowledgement. You are successful, I respect you. Our methods of making a mark in the industry might be different, but I respect you nonetheless.

Yes, I can relate to the stories in "Dream Team"... but I could relate more to Commitscion Afreen Rahman's article for two reasons: first, I too handled similar projects as a fresher, and, second, television production is very different from film production. I have worked on two films, but I'm not a pro. However, TV is my life — not in terms of "I love TV so much, I will die if I don't work here", but as in "TV is the love of my life." :). I have done it for way too long — I wouldn't know what else to do with my life.

I know I'm sounding a little unlike my usual enthusiastic self, but I think that comes with age and experience. :-) When I first became a production professional in 2006, I was starry-eyed about this industry: I liked everything I did, and everything that I learned thrilled me. Every day was a new day. But over the years, I've mellowed. And I've also seen the industry mature... change, brick by brick. For good? For bad? Who's to tell!

My book of "Secrets to being successful in the TV industry" still contains a few rules and attributes that I consider to be "must-haves". And then there are those dispensable ones. But that discussion's for another day, when we meet, we sit, we greet, and we talk. :-)

• Back in November 2010, Paromita Chakraborty had written in The Commits Chronicle (No. 54) about her experience at MTV:

A roller-coaster ride at MTV

I joined MTV as producer in June this year. And, trust me, life has been an absolute roller-coaster ride! The general belief is that people working in television channels have a relaxed life, with huge responsibilities but not much to do that could be considered physical or mental labour. Even I was under this impression. Which is why I had not taken up jobs with MTV thrice before!

But this time it seemed to be the right thing to do.

How thankful I am to God for the decision! How glad I am to declare that all popular beliefs are not always true... not at least regarding MTV. Here, there is no dearth of shows, no dearth of ideation processes, shoots, and edits.

So far, I have worked on Stunt Mania 2, MF101, Making The Cut 2 (shows being aired/off air) and, right now, it is Splitsvilla 4. There are a few more original projects that will be telecast in the next one year.

When you work in production houses, you accept the fact that you do not take the final call regarding the creatives in a show. You do as you are told to by the channel. But now, since I am the 'channel', I get to decide the creatives for any show in my kitty. I can't tell you what a relief that is! Just the fact that I do not have to accept stupid ideas, insane logic, or any kind of mediocrity in a show that I handle, makes me feel on top of the world. Good, bad, ugly — whatever it is, I'm solely responsible. The accolades and the brickbats — all are mine :-) It gives me such a kick! And it gives me so much satisfaction to see my ideas being translated into shows. I am so glad that I have joined the right company at the right time. 

• And here's a music video produced and conceptualised for "MTV Raw" by Paromita Chakraborty:

 

There's a new star on the Indian mass-market fiction horizon...

...and his name is Ravinder Singh. He is the author of I Too Had a Love Story (1 lakh copies in three months), Can Love Happen Twice? (3.5 lakh copies), and the just-released Like It Happened Yesterday, which had a pre-launch order of 2 lakh copies.

All three books have apparently struck a chord with young readers because they are easy on the wallet — as well as on the brain.

As Ravinder Singh himself says in an interview with Sonal Nerurkar in The Times of India Crest Edition, his readers would be intimidated by "dictionary-oriented literary fiction".

Ravinder Singh, or "Ravin", as he is known, struck gold with his very first effort, I Too Had a Love Story, which was published in 2008:

[It] is based on Singh's experience of first love, which ended tragically with the death of his fiancêe Khushi in a car accident. The book is an intimate recount of their romance, starting online with pinky-swear passion, deepening as they discover shared values and common goals. Lacking poetic language or nuance, the book scores in earnestness and ardour. "I may lack literary skills but I speak from the heart, " Singh says.

Nerurkar, whose article is headlined "Maharaja of Mush", writes that, initially, Ravin was upset by the lack of attention his work received from the mainstream press. But today he feels differently:

"There are those who feel we are spoiling the world of writing," he says. "But if there is demand, there will be supply." The perception that literary works are better than mass market fiction is changing, Singh feels, and he's doing his best to turn the tide in his favour.

RAVINDER SINGH AT THE LAUNCH OF HIS NEW BOOK.

Ravinder Singh is also the subject of the cover story in last week's Mint Lounge, titled "The School of Singh", in which Somak Ghosal profiles not only Ravinder Singh but also Durjoy Datta and Sachin Garg — all three are acknowledged champs of mass-market fiction.

Read the Mint Lounge cover story here.

• ADDITIONAL READING: "Why we should applaud Amish (and ignore what purists say about his writing skills?)" and "Chetan Bhagat on how to take your English to the next level".

• Can Love Happen Twice? and Like It Happened Yesterday are available in the Commits library.

• Photograph courtesy: Aniruddha Choudhury/Mint