If you want to understand what journalism should be...

...and if you want to know what journalism can be, read this great book — by a great writer — about one of the world's great newspapers:

Follow it up with this terrific piece in Vanity Fair: "A New Kingdom: Gay Talese Sounds Off on The New York Times — Past, Present, and Future".

Here's an appetiser — an excerpt from Gay Talese's response to the first question he is asked in the Vanity Fair interview:

GAY TALESE

Journalism is for the young. Young people who go into journalism as a calling are entering, I think, the most worthwhile profession that is possible, and the reason I say that is that there is no profession or industry or calling that tries very hard to tell the truth and to sell the truth and to make the truth make money. The truth is hard, first of all, to get. And harder still to communicate. And more hard to make money on!

• You will also want to read the new book that again puts journalism and The New York Times front and centre: Page One: Inside The New York Times and the Future of Journalism (edited by David Folkenflik), and follow that up by watching the documentary on which the book is based.

• Afterwards, visit the official Gay Talese website here and learn more about the work of this legendary journalist and novelist.

• ADDITIONAL READING:

"Journalism: The best job in the world", by Nobel laureate Gabriel Garcia Marquez

Editor Bill Keller on how The New York Times chooses Page 1 stories, from a brilliant series in the Times, "Talk to the Newsroom"

The amazing books that made me fall in love with journalism all over again 

• UPDATE (April 23, 2014): Amazon has just delivered Honor Thy Father, Gay Talese's bestseller about one of America's most notorious Mafia families. According to one critic, no other book has done more to acquaint readers with the secrets, structure, wars, power plays, family lives, and fascinating, frightening personalities of the Mafia. Honor Thy Father will be placed in the Commits library... soon.

Is there a book or two from your past that helped you see yourself and your world in a whole new way?

Every Sunday morning, I receive Dr Mardy Grothe's e-newsletter:
     

A WEEKLY CELEBRATION OF GREAT QUOTES IN HISTORY
           (AND THE HISTORY BEHIND THE QUOTES).

Dr Grothe has featured in this space many times before. A psychologist by training, he is an author and, as his website puts it, an engaging and entertaining speaker who gives scores of seminars every year to CEO groups that are part of an international network known as The Executive Committee (TEC).

I am reproducing the relevant portion of his latest piece here because, today, he is discussing a very important topic:

"Life-Altering Books"

BY DR MARDY GROTHE

The quotation in this week's Puzzler ["How many a man has dated a new era in his life from the reading of a book" — Henry David Thoreau, author of Walden] illustrates one of history's most fascinating themes: the idea that people can be changed — sometimes in dramatic ways — by the reading of a single book.

In the lives of countless people over the centuries, a life-altering book can be as influential as a lifetime of instruction from family members, clergy, and teachers.

It happened several times with Ralph Waldo Emerson [Thoreau's friend and mentor], whose life was impacted in significant ways by the confessions of Rousseau, the essays of Montaigne, and the confessions of St. Augustine. In 1840, he sent a copy of Augustine's book to a friend along with this revealing note:

    It happens to us once or twice in a lifetime
    to be drunk with some book which probably has
    some extraordinary relative power to intoxicate us...
    and having exhausted that cup of enchantment
    we go groping in libraries all our years afterwards
    in the hope of being in Paradise again.

Several decades later, Emerson returned to the subject of pivotal books in an essay in Society and Solitude (1870):

    There are books...which take rank in your life
    with parents and lovers and passionate experiences,
    so medicinal, so stringent, so revolutionary, so authoritative.

FRANZ KAFKA

The concept of life-altering books was clearly on the mind of Franz Kafka, when he asked in a 1904 letter to his friend, Oskar Pollack: "If the book we are reading does not wake us, as with a fist hammering on our skull, why then do we read it?" He then answered his own question this way:

If the book we are reading does not wake us, as with a fist hammering on our skull, why then do we read it?
A book should serve as an ice-axe to break the frozen sea within us.

I can think of several books that helped to break the frozen sea within me, including the one featured in this week's Puzzler. I tell the full story in my I Never Metaphor I Didn't Like book, but the brief version is that I read it [Walden]when I was a 20-year-old college student in the middle of a major "identity crisis". After reading the first couple of pages, I couldn't put the book down. And by the time I finished reading it, I had recorded several dozen passages on library index cards and tacked them up on the bulletin board above my desk. Some of those passages ultimately went on to become such an important part of my life that I can recite them from memory today, more than fifty years later.

How about you? Is there a book or two from your past that helped you see yourself and your world in a whole new way? As you think about which books belong in that category, take few moments to peruse this week's selection of quotes on the theme:

   "Books are the compasses and telescopes and sextants and charts
    which other men have prepared
    to help us navigate the dangerous seas of human life."
          Jesse Lee Bennett

   "It is chiefly through books
    that we enjoy the intercourse with superior minds."
          William Ellery Channing

   "A truly great book should be read in youth, again in maturity,
    and once more in old age, as a fine building should be seen
    by morning light, at noon and by moonlight."
          Robertson Davies

E.M. FORSTER

"The only books that influence us are those for which we are ready, and which have gone a little farther down our particular path than we have yet got ourselves."
          E. M. Forster

"Life-transforming ideas have always come to me through books."
          Bell Hooks

 "It is from books that wise people
 derive consolation in the troubles of life."
          Victor Hugo

   "If we are imprisoned in ourselves,
    books provide us with the means of escape.
    If we have run too far away from ourselves,
    books show us the way back."
          Holbrook Jackson

   "Books go out into the world,
    travel mysteriously from hand to hand,
    and somehow find their way to the people who need them
    at the times when they need them....
    Cosmic forces guide such passings-along."
          Erica Jong

"People don't realise how a man's whole life can be changed by one book."
          Malcolm X

   "The real purpose of books
    is to trap the mind into doing its own thinking."
          Christopher Morley

SALMAN RUSHDIE

"The lover of books is a miner, searching for gold all his life long. He finds his nuggets, his heart leaps in his breast; he cannot believe in his good fortune."
          Kathleen Norris, in These I Like Best (1941)

"Bread and books: food for the body and food for the soul — what could be more worthy of our respect, and even love?"
          Salman Rushdie

• ALSO READ:

Tell me, please: What role has reading played in your life? (Another thought-provoking post by Dr Mardy Grothe)

Reading this book will change your approach to life

25 books that will give you a better perspective on life and also help prepare you for the workplace

• EXTERNAL READING: From the New York Times: "What motivates one human being to chuck a book at another?"

We in the media like a good laugh at ourselves, don't we?

BUD HANDELSMAN

CLIVE GODDARD

JOEL MISHON

JIM SIZEMORE

LES BARTON

MIKE BALDWIN

RAY LOWRY

NICK BAKER

• From the "Media" section in The Mammoth Book of The Funniest Cartoons of all Time, edited by Geoff Tibballs

"How writing for our college newspaper helped me land a job"

• FROM THE COMMITS CHRONICLE ARCHIVES (May 23, 2010)

When Commits alumna Mallika Harsha (Class of 2010), was hired by Saatchi&Saatchi as a copywriter in Bangalore, she told me excitedly over the phone: "My articles in YO helped me get the job!" Afterwards she wrote this e-mail to me (YO, or Your Opinion, was the name of the college newspaper till July 2011, when it was changed to The Chronicle):

"THANK YOU FOR HELPING ME

LAND A JOB AS A COPYWRITER"

I owe this to you. Thank you for helping me overcome my fear of writing.

In my opinion, this is my personal fairytale. A modern-day fairytale of course, but a fairytale nonetheless. And I'm taking a chance with writing about it in the Chronicle knowing full well that after having painted such a rosy picture I can't complain about it later, but that's a choice I've already made, I suppose.

Okay, so since it's a modern-day fairytale, let's give the once-upon-a-times and happily-ever-afters a skip. I'm not going to build suspense and reveal it all at the end and neither am I going to take you through the emotionally draining journey till I actually got to the point of writing about it for the Chronicle.

So, the point being: I recently bagged a job at Saatchi&Saatchi. (They haven't given me a designation yet, but it'll most probably be that of copywriter).

When Saatchi called me for an interview, I wasn't expecting to be hired. The interview lasted an hour in which I spoke for 20 minutes and got grilled for the next 40. At the end of which I was told to write a copy test the next day. So, there I was again at the Saatchi office, expecting to spend the next couple of hours writing essay-type questions.

Flashback

I had already sent them a profile of the work I did at my previous job. And earlier that day, I was asked by the creative head to send them all the other work I had done (written work to be precise) like articles and other published work. I had nothing but YO articles to send (which also I found on my email with great difficulty because I wasn't carrying any of it around with me), and I did that — sent the few articles I could find. And the rest of the time, I spent mentally preparing myself for the gruelling test that evening.

Back to the office scene

I was asked to sit in a cabin. I was waiting to be administered the copy test. Then the creative director walked in and said, "I went through your articles. Why didn't you send these to us before?" I didn't know what to say. Even I couldn't think of a good enough reason.  What he said after this is what makes me proud to relate this story at all.

He said based on what he had read he would skip the copy test!

Saatchi&Saatchi did not take a copy test based on my YO work! I was stumped, so much so that when he told me they'd like me to join them, I burst out laughing — to his face (I got an earful for that too, but that's a different story).

I'm going to be under probation for a while, in which time I'm supposed to "show them what I'm made up of" — that's what they've told me. Too good to be true? I think so too. There has to be a catch, na? But I'm ready to take this on! It's "my big break" (as Sai Sir put it), so I'm going to put in my all to prove myself here.

I'm glad I wrote for YO while I was in college, it was great learning for me and I loved it. I'm glad I could use such a platform to get the job I had only dreamt of. Thank you would just be an understatement for all the support I've got so far. So, I'm just going to sign off  here, 'cause the longer this email gets, the more people will want to hunt me down and chase me.

I'm so proud and high on confidence right now that if I wrote any more, I'd just be bragging. So, I'm going to stop here, just glad I could share my experience.

Regards,
Mallika

ALSO FROM THE COMMITS CHRONICLE ARCHIVES: The November-December 2009 issue of Your Opinion, or YO, was a fabulous 10-pager, the first in Commits history. That was an opportune moment, therefore, to ask past co-editors and current editorial board members to share their thoughts on the issue and also to reflect on how YO has evolved over the years, from a black-and-white “lab journal” to a professional college newspaper, the “jewel in the Commits crown”, as our website refers to it. It was also an occasion to think about how the students’ involvement with YO has benefited them. Read what they all have to say here: "Jai YO!"

The classic cricket book even non-fans will enjoy reading

‘What do they know of cricket who only cricket know?’

Since I first read this quote many, many years ago, I have entertained thoughts about reading the book in which it appears. But it was only last month that, serendipitously, I happened to think about it — the exploits of Dhoni & Co. in England may have had something to do with it — leading me to order the book from Amazon pronto.

And, then, some days after the book was delivered, I came across this reference to it in an interview in Books & More magazine (edited by Commitscion Padmini Nandy Mazumder; the interviewer is good friend Pratibha Rao).

Q Which was the one book that inspired you?

Boria Majumdar It is undoubtedly Beyond a Boundary by C.L.R. James. The first time I read it, I understood nothing of it. I read it because people said it was the best book on cricket. Only when I read it the fourth or fifth time, I understood what the book wanted to say. I’ve now read it 47 times. I’ve been to the C.L.R. James Research Library in the West Indies and stayed for a long time in Barbados where James is buried — that’s the impact the book has had on me. For what I want to do — understand society through the lens of sport — there is no better book than Beyond a Boundary. 

Enough said.

• For the uninitiated, Rhodes scholar Boria Majumdar is one of India's foremost young cricket litterateurs. He is also an op-ed columnist for The Times of India, a sports expert with Times Now, and author of books such as Twenty-two Yards to Freedom: A Social History of Indian Cricket and The Illustrated History of Indian Cricket.

Why I'm reading — and enjoying — the first volume of the Paris Review Interviews

"The Paris Review books should be given out at dinner parties, readings, riots, weddings, galas — shindigs of every shape. And they're perfect for the classroom too, from high schools all the way to MFA programmes. In fact, I run a whole semester-long creative writing class based on the interviews. How else would I get the world's greatest living writers, living and dead, to come into the classroom with their words of wisdom, folly, and fury? These books are wonderful, provocative, indispensible." — Colum McCann, novelist and Hunter College professor

***
"I have all the copies of The Paris Review and like the interviews very much. They will make a good book when collected and that will be very good for the Review." — Ernest Hemingway

***
"At their best, the Paris Review interviews remove the veils of literary personae to reveal the flesh-and-blood writer at the source. By exposing the inner workings of writing, they place the reader in the driver's seat of literature." — Billy Collins

***
"A colossal literary event — worth the price of admission for the Borges interview alone, and of course the Billy Wilder, and the Vonnegut, and and and and . . . Just buy this book and read it all." — Gary Shteyngart

***
"The Paris Review interviews have the best questions, the best answers, and are, hands down, the best way to steal a look into the minds of the best writers (and interviewers) in the world. Reading them together is like getting a fabulous guided tour through literary life." — Susan Orlean 

***
"I have been fascinated by the Paris Review interviews for as long as I can remember. Taken together, they form perhaps the finest available inquiry into the 'how' of literature, in many ways a more interesting question than the 'why.'" — Salman Rushdie

***
"Nothing is lonelier or riskier than being a writer, and these interviews provide writers at all stages the companionship and guidance they need." — Edmund White

***
"The Paris Review interviews have always provided the best look into the minds and work ethics of great writers and when read together constitute the closest thing to an MFA that you can get while sitting alone on your couch. Every page of this collection affords a ludicrous amount of pleasure." — Dave Eggers

• What is the Paris Review? To learn all about the literary magazine that was first published in 1953, go here.

• UPDATE (JULY 24, 2013): The second volume of The Paris Review interviews was delivered by Amazon this evening. So much to read, so little time. Sigh.

• ADDITIONAL READING: "Why the writer should be considered the "hero" of a film, any film", excerpts from a Paris Review interview with Oscar-winning director Billy Wilder.

Learn from a CEO: How to work with a jerk

Some two years ago, I published a Reading Room post that discussed the problems of dealing with a boss from hell.

But it is not only a bad boss who can  make you miserable.

What about your colleagues? How do you work with a colleague who is a jerk?

Dave Kerpen tells us how. Kerpen, whose career tips I have featured in this space before, is a LinkedIn "influencer" and I have been "following" him for some time now. Today my Gmail in-box contained an alert about Kerpen's latest post, which offers, I think, sensible workplace advice.

Here are Kerpen's suggestions for making working with a jerk easier:

• Seek to understand where the jerk is coming from
• Shower the jerk with positivity
• Talk to others and consider your options

And he elaborates on each point in his post. Read it here.

• Dave Kerpen has another thought-provoking column, this one published on the Inc. website. Check it out today: "How to Get Everything You Want. Seriously."

If you really need a reason to buy this magnificent National Geographic book...

...here it is:

In these pages readers can follow the evolution of the photograph. Techniques aside, some of the earliest photos compare favourably with those today. Why? Because, like the chicken and the egg, imagination and image must go together. It is the photographer, not just his camera, that catches the moment.

~ From the foreword by Gilbert M. Grosvenor, chairman of the board of the National Geographic Society

What a wonderful phrase that is: "Imagination and image must go together." And this is exactly what happens in National Geographic magazine all the time, every time. Not only are the photos uncommon; the captions are also works of art. (By the way, that excerpt from the foreword also contains an example of a sentence that begins with because. I am pointing it out here because every year I am asked in class if it is "correct" to begin a sentence with because. And I respond, "Yes, it is.")

Now, in National Geographic: The Photographs, the photographers themselves tell us the stories behind their pictures. Here's an excerpt:

Anxiety accompanies Jim Stanfield on every assignment, so he photographs everything he can think of. "I blanket a subject. I maul a story until it's lying on its back like a turtle," he says.

For a piece on Poland, he felt he needed a technology picture. He discovered a self-taught heart surgeon who had read scientific papers about transplants. Stanfield photographed the doctor performing two consecutive (and successful) heart transplants in a marathon that lasted almost 24 hours.

"I kept studying the doctor and watching his eyes," says Stanfield. "He was so focused, he didn't even know I was there."

About 20 hours into the ordeal, Stanfield made a picture of the surgeon that shows the drama and exhaustion.

The photograph is among the many that are part of the collection in the book, so you can study it after you have read about Stanfield's experience. Isn't that a great way to learn more about taking, sorry, making pictures from some of the world's best photographers?

National Geographic: The Photographs was apparently the gift book of the year when it was first published. In my view, it is the gift book of the year, no matter what year it is.

• Also read: "When you have two hours to shoot ace director James Cameron for a National Geographic magazine cover, how do you do it?"
  

Don't get burned by your online profile

From an article published in Bloomberg Businessweek two days ago:

Think before you post, especially if you’re looking for a job. Seems like common sense, doesn’t it? Yet despite all the advice and warnings to be cautious with social media, job applicants continue to get burned by their online profiles.

Read the piece in its entirety here: Hey Job Applicants, Time to Stop the Social-Media Sabotage.

Afterwards, learn how to scan and delete your old, embarrassing posts from your social networking site: "Get rid of digital clutter".

And you will also want to read this post that I discovered on the Time magazine website: "Facebook Etiquette: Avoid These 5 Common Mistakes".

MUST-READS:

• "Mind your e-language"

• "A Facebook conversation that illustrates the perils of copying and pasting status messages, or sharing links, without studying closely those messages or links"

• "Facebook: Boon or bane?"

It feels as though I have unearthed a gold mine and discovered a time machine at the same time: When reading a book becomes an experience of a lifetime

History, be it fact or fiction (!), fascinates me. One of my all-time favourite books is Travels with Herodotus, by the legendary Polish journalist Ryszard Kapuscinski. I have also enjoyed the sagas written by James Michener and James Clavell. And every now and then I dip into I Wish I'd Been There: Twenty Historians Revisit Key Moments in History.

So how could I not order A History of the World in 100 Objects from Flipkart after I first chanced upon the book at a Reliance TimeOut store? (It's called "showrooming", Reliance. Get used to it.)

For more than a fortnight now, whenever I have had the time, I have been obsessively reading up on each of the historical objects described intelligently and — yes — lovingly by Neil MacGregor, director of the British Museum.

A History of the World in 100 Objects, which is based on the BBC Radio 4 programme of the same name, is such a treat that I find myself re-reading almost every chapter.

---
DON'T TAKE MY WORD FOR IT
"This wonderful book transports us to every corner of the globe." — TOM HOLLAND, OBSERVER
---

And, after I am done with each chapter — I am a quarter of the way through the book, object by object, one object to a chapter — I head over to the BBC site dedicated to the programme. Here I can listen to the original radio programme, go through the transcript, examine the selected object in glorious colour, read additional comments by experts, study relevant timelines... it feels as though I have unearthed a gold mine and discovered a time machine at the same time.

---
DON'T TAKE MY WORD FOR IT
"Vivid and witty, shining with insights, connections, shocks, and delights." — GILLIAN REYNOLDS, DAILY TELEGRAPH
---

From beginning to middle to end, each chapter fairly radiates energy. Neil MacGregor tells the story in so vivid a style that I keep asking myself: How does he do it?

For instance, MacGregor has to come up with a hundred different chapter introductions; he has to meld historical facts and dates with his own interpretations and understanding; he has to incorporate the views of experts; he has to explain why each object is important in today's context; and he has to come up with a hundred different chapter endings.

And, this is perhaps just as important, he has to make it interesting for the reader from first word to last. 

---
DON'T TAKE MY WORD FOR IT
"One can only remain grateful to Neil MacGregor for inviting us, his readers, on this wonderful journey." — RUDRANGSHU MUKHERJEE, THE TELEGRAPH, KOLKATA 
---

Let us take, at random, a few opening lines (not the entire first paragraph):

OLDUVAI STONE CHOPPING TOOL (1.8-2 MILLION YEARS OLD): "This chopping tool is one of the earliest things that humans ever consciously made, and holding it puts us directly in touch with those who made it."

OLDUVAI HANDAXE (1.2-1.4 MILLION YEARS OLD): "What do you take with you when you travel? Most of us would embark on a long list that begins with a toothbrush and ends with excess baggage."

CLOVIS SPEAR POINT (11000 BC): "Imagine. You're in a green landscape studded with trees and bushes. You're working in a team of hunters quietly stalking a herd of mammoths. One of the mammoths, you hope, is going to be your supper."

PARACAS TEXTILE (300-200 BC): "Looking at clothes is a key part of any serious look at history. But, as we all know to our cost, clothes don't last — they wear out, they fall apart, and what survives gets eaten by the moths. Compared with stone, pottery, or metal, clothes are pretty well non-starters in a history of the world told through 'things'." 

CHINESE ZHOU RITUAL VESSEL (1100-1000 BC): "How often do you dine with the dead?" 

There is plenty to learn, too. An arbitrary example:

LACHISH RELIEFS (700-692 BC): The strategy of shifting populations has been a constant phenomenon of empire ever since [the time of King Sennacherib, the Assyrian ruler]. Perhaps our nearest equivalent — just about in living memory — is Stalin's deportation of peoples during the 1930s. Like Sennacherib, Stalin knew the value of moving rebellious peoples out of strategic areas and relocating them far away from their homelands.

And here's the concluding paragraph from the same chapter:

Sennacherib was not quite as bad as Stalin. Cold comfort for the victims. The Lachish Reliefs show the misery that defeat in war always entails, though of course their main focus is ... Sennacherib in his moment of triumph. They do not record Sennacherib's less than glorious end — assassinated by two of his sons while he was at prayer to the gods who had appointed him ruler. He was succeeded by another son, whose own son, in his turn, conquered Egypt and defeated the pharaoh Taharqo, who is the subject of the next chapter. The cycle of war that Lachish Reliefs show — brutal, pitiless, and devastating for the civilian population — was about to begin all over again. 

Oh joy! I have waiting for me another 75 chapters bursting with such scintillating writing.

---
DON'T TAKE MY WORD FOR IT
Mary Beard reviews A History of the World in 100 Objects in The Guardian: "Brilliant on radio, Neil MacGregor's 100 objects also make a marvellous book".