Are movie critics totally out of touch with popular taste?

This is the question posed by veteran film critic Anupama Chopra in a recent issue of Open. She writes in her regular column for the magazine that this question struck her after she gave Salman Khan's Ready a two-star rating because "the craft was shoddy, the plot was incoherent and the jokes, cheerfully low-IQ. It was Hindi cinema at its laziest best". Afterwards, she says, she was soundly abused on Twitter by Salman fans. She continues:

Meanwhile, the film reportedly made over Rs 13 crore in India on its first Friday — the biggest non-festive opening for a Bollywood film.

Which made me wonder: are we critics totally out of touch with popular taste? After years of watching movies, do we evolve into curmudgeons who are unable to enjoy anything? What is the function and relevance of our reviews?

She tries to answer those questions by elaborating on the role of the reviewer but she admits there is a disconnect between viewers and reviewers:

Leading critics thought The Hangover 2 was a tired rehash of the first film — it grossed around $ 338 million globally. [At] least one leading critic — Peter Travers in Rolling Stone — described Pirates of the Caribbean: On Stranger Tides as a ‘giant turd’. It grossed over $700 million worldwide.  Or closer to home, most critics think that Anees Bazmee, the creator of Ready, No Problem and Thank You, is single-handedly lowering the bar in Bollywood, but that has never stopped audiences from flocking to theatres (refer to earlier grosses for Ready).

And then she rests her case by stating unequivocally that box office and quality are not necessarily linked. "My job is to be unconcerned with the former and consumed with the latter," she writes. "The rest is dross."

Every filmgoer should read this column to understand the angst of our serious movie critics. How depressing it must be to write for an audience that does not get it.

WATCHING READY, SAYS ANUPAMA CHOPRA, WAS A "SQUIRMY" EXPERIENCE.

• ALSO READ: "Anupama Chopra's favourite film critics". And pick up her book, too: First Day First Show: Writings from the Bollywood Trenches (a copy has been placed in the Commits library).

• UPDATE (September 2, 2013): On Outlook editor Krishna Prasad's blog: Do readers and viewers care for film reviews?

Chetan Bhagat on how to take your English to the next level

CHETAN BHAGAT

I am not a big fan of Chetan Bhagat's books. 

I have to say this about Bhagat, though — he has got young people reading. That is reason enough to admire him.

He seems to have his finger on the pulse when it comes to knowing the minds of young people and knowing what they like — that is a real gift. And young people seem to identify with him. They seem to like the thought of a best-selling author who writes for them, not for a so-called elite readership.

In this context, advice from Chetan Bhagat on how to improve one's English is sure to be taken seriously by his numerous fans. Which is why The Times of India recently published Bhagat's five tips on how to take your English to the next level. If you think your English skills need polishing, these tips are sure to help:

1. Read something in English you enjoy. People may prescribe classics and you may look good reading them, but if you don't enjoy it, you won't absorb it. Typically, you will enjoy something that is slightly above your current level of English. And if that means comics instead of classics, so be it.

2. Watch English movies with English subtitles. Many TV channels have this now. Listen to the dialogue first. If you can't follow it, read the subtitle. Keep doing this until your dependence on subtitles declines.

3. Spend time with friends, relatives or colleagues who often speak in English. While you may not feel confident enough to keep pace with them, at least you can listen and understand them.

4. Create a group of people whose English is at your level. Meet every week and debate a current topic, making it compulsory to use as much English as possible.

5. Work on your inner confidence. There is a stupid arrogance in people who know English well and they often make fun of people who don't know it. Let that not deter you. Every mistake is a lesson learnt.

Remember, English is not a monster. It is a silly little language that is easier to learn than making good paranthas or driving a car in rush-hour Indian traffic. And once learnt, all the benefits of the globalized world it offers are yours — for life!

Easy-to-practise advice offered in easy-to-understand language. That is the hallmark of Chetan Bhagat's writing. Is it any wonder he is so popular?

• Photo courtesy: Chetan Bhagat's official website

Is Rupert Murdoch really the villain we make him out to be?

Perhaps, yes. But, as Aakar Patel points out in his Mint Lounge column, there are a few — actually, quite a few — good things journalists (and media students) will remember Murdoch for "even as he is attacked, rightly, for the sins of his employees at the News of the World".

Here is Aakar's intro:

To those who love and understand this profession, Rupert Murdoch is the world’s greatest newspaperman and its finest editor. Among those who have crafted newspapers, a rare and beautiful talent, he is without equal. He has defined without question all modern tabloid journalism but arguably also most of its broadsheet trade. This might appear strange, but he isn’t prejudiced in that sense and doesn’t discriminate between short, fun-loving newspapers and tall, prudish ones.

After that 24-karat intro, who will not want to read more? Go to Rupert Murdoch's lust for newspapers and learn why Aakar says Murdoch is the hero in the story of 20th century journalism.

• Also read: The best coverage of the News of the World scandal.

• Plus: Aakar Patel on how the lack of a reading habit can be a serious handicap.

• ADDITIONAL READING: The Man Who Owns the News: Inside the Secret World of Rupert Murdoch — read a review of the book in the New York Times and, then, borrow the book from the Commits library.

Murder your darlings...

...and other great advice on writing from ten writers ranging from American journalist Dominick Dunne to writer and cartoonist Scott "Dilbert" Adams. Here's what they say:

1. Write one inch at a time
2. Finish your first draft
3. Get over it
4. Simplify
5. Murder your darlings
6. Lead with your best
7. Write with authority
8. Stand out as a real person
9. Remember to play
10. Show up for work

If you are interested in becoming a better writer, you are sure to benefit from paying attention to what the experts have to offer on the subject: Ten writers recall the best advice they ever received.

Which piece of advice is your favourite? My students know I'm a big fan of No. 5.

• Re: "Murder your darlings" — British literary editor and novelist Diana Athill has a slightly different take:

You don't always have to go so far as to murder your darlings—those turns of phrase or images of which you felt extra proud when they appeared on the page—but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect—it's the ones which amount to a sort of smug glee you must watch out for.)

The best coverage of the "News of the World" scandal

AND ISN'T THAT A GREAT COVER?

And the best headline, too (inside pages): "Tabloid bites man". Read the cover story here to understand what really prompted Rupert Murdoch to shut down a 168-year-old newspaper.

(I have heard of and read about newspapers and magazines shutting down for business reasons — mainly not enough readers so not enough advertising — but this is the first time an owner has killed a newspaper because it was caught doing something wrong. And the saga is not over yet, as you will know from reading the newspapers every day.)

• Newsweek, meanwhile, has a scoop that will be of great interest to journalists and media students. In a first-person account, the editor-in-chief of The Guardian, the newspaper that exposed the phone-hacking scandal, tells us how some dogged reporting by veteran journalist Nick Davies led to the brouhaha that now threatens a global media empire. Read the fascinating story here: "How we broke the Murdoch scandal".

ALAN RUSBRIDGER, EDITOR-IN-CHIEF OF THE GUARDIAN.

• Photo courtesy: Newsweek

• Also read: "The king of the sting".
  

"What Mumbai spirit?"

That is the headline of a blog post on the New Yorker magazine website. Written by Naresh Fernandes after the Mumbai blasts on July 13, the piece gets right down to brass tacks in the opening paragraph itself:

Three hours after a bomb turned a bus stop in Dadar, in central Mumbai, into one of those ingenuously twisted metallic installations that the city’s minor sculptors so love, a murmuring crowd converged on a multiplex less than fifty metres away. What seemed to be the problem? “They’ve cancelled the 10 P.M. show of ‘Delhi Belly,’ ” a man in shorts with an angry demeanor explained. Surely no one had the stomach to watch the scatological sleeper hit on an evening on which three blasts in southern Mumbai had left eighteen people dead and about a hundred and thirty wounded? “These kinds of things happen all the time,” the man replied. “Why should we put our lives on hold just because there have been a few bomb blasts?”

As can be expected, this article did not go down well with some readers, who have been scathing in their comments.

Disclosure: I grew up in Mumbai (then known as Bombay) and lived there for 30 years. As such I am all for lauding the Mumbaikar's spirit. But human nature is such that we tend to (and need to) move on after a tragedy. In that context, Naresh Fernandes may not be far off the mark when he writes what he does in the concluding paragraph of his post.

Read the piece in its entirety (and the comments) here.

• Thank you, Arpan Bhattacharyya (Class of 2010), for sending me the New Yorker link.

Bajrangi and the case for "brand security"

Have you watched the new television ad for Center Fresh gum? The ad shows a bank being robbed. When the thief takes off, the staff starts screaming for security. To their surprise, the thief runs back in. He is the security guard, Bajrangi (see below).

I thought the ad by O&M was funny, clever, and so typical of Center Fresh. I was surprised, therefore, to read the comments by advertising expert Prathap Suthan in Mint. Suthan, who features regularly in the newspaper's Spot Light column, says if he had seen this film years ago, he would have "fallen down, broken my crown and come tumbling after".

He continues:

The production’s all right. The cast’s all right. And the acting, direction, grading, lighting and music is at par. It made me smile. But that was it. It didn’t make me ooze laughter. And it didn’t make me watch it online till I got sick.

And then he makes an important point, a point that should be noted by all those aspiring to an ad career:

I personally have an issue with crime as a brand core. Especially when crime is north-bound. Kidnappings. Heists. Scams. At a deeper level, it corrodes the brand from inside. Innocent fun is one thing. Making crass cool is arsenic. Of course, I’m not the defined target audience. But I happen to be more than a moron who watches television.

Suthan also elaborates on whether this particular strategy works for the brand and he explains how a brand can stand out in such a crowded segment. Read his views here.

• Also read: A great series called Spot Light for advertising and marketing professionals.

Why "Delhi Belly"?

Trust Mint Lounge, possibly the most cerebral of India's weekly publications, to figure out that a feature on a "stomach disorder" named after the country's capital would be the perfect story to be published in the week that the Aamir Khan-produced film hit cinemas.

Headlined "We are landing in Delhi, loosen your belts", the article traces the history of Delhi Belly (the stomach ailment, not the film) and provides some interesting asides:

It’s not Al Qaeda, but Americans take Delhi Belly seriously. According to a US diplomat who spoke on condition of anonymity since he is not authorized to share this information, his embassy in New Delhi maintains a laboratory devoted to testing for germs and diseases such as Delhi Belly. Embassy staff often arrive at the office carrying small brown bags that have jars with “poop” samples to be tested at the lab.

It must have taken some doing for the writer, Mayank Austen Soofi, to extricate this piece of information from a diplomat. We also learn that there are limericks on Delhi Belly. Here's one:

A New Delhi tourist called Justin

Sensed a stir in his lower intestine

He made a dash for the dunny

But he felt something runny

Now his shorts are consigned to the dustbin.

We are told that that there is no record of the phrase's first appearance but R.V. Smith, author of several books on the city, claims the term first appeared in the summer of 1857:

The Indian mutineers had taken over the capital and the British were encamped on the Ridge where many of them were incapacitated due to upset tummies. It was they who coined the term Delhi Belly.

We are also given the other side by Delhi-based Delhi-based Prof. Pushpesh Pant, author of India: The Cookbook:

Delhi Belly is dead. Now our hygiene standards are high, bottled water is available everywhere, dhabas cater to foreigners and many eateries serve gol gappas with mineral water. The Delhi Belly scaremongers are the types who dine at five-star hotels and who like to run down India, which is now a powerhouse economy.

Whether you are outraged at the thought of an attack of the runs being labelled Delhi Belly and want to know why this is so or you just happen to love soaking up new information, this article is an excellent example of a good idea executed well. Read it in its entirety here.

How wait-and-watch policy paid off for Bangalore Mirror journalist

S. Kushala, the intrepid Bangalore Mirror journalist, writes in Monday's edition:

When we were tipped off about a retired judge making his own way to take an illegal turn on M G Road towards Rest House Crescent Road, we brushed it off as a prank. But since our khabri is a reliable one, we thought of checking it out for ourselves. We were told that a unique “ribbon cutting” ceremony takes place almost every morning on MG Road.

Two photographers and this correspondent stationed themselves strategically at the entrance of Rest House Crescent Road on MG Road last week, between 8-9.30 am. We could not believe our eyes when on Saturday, the incident actually happened.

And what happened became an exclusive Page One story (see below) for the newspaper that prides itself on breaking news:

THE STORY THAT GRABBED BANGALOREANS' ATTENTION ON MONDAY.

AREN'T THOSE HEADLINES BRILLIANT?

Read the full story here (Monday, July 4, Pages 1 and 2).

Incidentally, even as I am writing this, S. Kushala is at Commits addressing the new students, talking to them about the joys of journalism, and discussing this very story with them.

A Commits alumna's long-drawn affair with illustrations

STEPPING STONES TO SUCCESS: Rachna Prabhu is a sought-after illustrator now.

A good illustration is sometimes more effective than a photograph. That is why when Rachna Prabhu (Class of 2008) was a student at Commits, the college newspaper featured her work regularly.

Rachna also provided caricatures (see below) of the speakers — to accompany our students' audiovisual speaker introductions — at the Hard Sell seminar organised by Commits in Bangalore in January 2007. It became a tradition afterwards to have students include sketches of the speakers at every Commits seminar.

Rachna, who says she has been "doodling in schoolbooks, paper napkins, other people's important files, on walls, and on unsuspecting people's faces pretty much since I was a five-year-old", is now a full-time children's book illustrator. Recently, after she illustrated a book on entrepreneurship, Entrepedia, written by Prof. Nandini Vaidyanathan, I conducted an email interview with her to learn more about her work:

• How did you get the Entrepedia assignment?

Medini [Prof. Vaidyanathan's daughter and Rachna's Commits classmate] got in touch with me and asked me if I'd like to illustrate Nandini Ma'am's book on entrepreneurship. I was ecstatic because this was the first book I'd be illustrating that wasn't a children's book. I had to follow the normal procedure of sending across a sample illustration that was then first approved by Nandini Ma'am and then the publisher, Embassy Books. Once I had discussed the project details and commercial aspects with the publisher, I got to work on my first gray-scale, non-kiddy book which turned out to be my favourite project thus far. Here's why...

With children's book publishers, they send you a tabulated list of illustrations needed for the story, including the character's expression, clothes, background description, and sometimes even their body structure! This limits your freedom as an illustrator.

With Entrepedia, Nandini Ma'am and the publisher gave me the complete freedom to illustrate the book any way I wanted to. I was just provided with all the chapters and from thereon it was just about me sending across the final illustrations as and when they were ready. The conceptualisation process for Entrepedia was my favourite part of the project.

• What inspired your illustrations?

Nandini Ma'am and Medini told me that they wanted illustrations that looked cartoony yet grown-up. The first illustration for the book took me longer than I thought because I was venturing into new territory with these illustrations but after the first one, the others came easy. I wanted to stick to my drawing style, even if it was for a business book, and so I added the round eyes and big noses.

The ideas behind each illustration was different from the other. For instance, in the chapter about 'Where to look for ideas', I drew three men of various age groups looking in all directions through binoculars and a magnifying glass with the light bulbs floating right near them, just waiting to be spotted. In other words, there are ideas everywhere, you just need to find them.

Similarly, in another chapter that was about Business Incubators, I illustrated with an entrepreneur emerging out of an egg (egg=incubator). All in all, it was good fun deciding what to draw for each chapter, especially when there were no limitations.

• Which software did you use?

I am very comfortable with Photoshop and I used it to do all my illustrations. I plan to learn Adobe Illustrator soon.

• How long did you take to complete the job?

I could complete just one illustration a day as I'd allocated only three hours a day for each illustration. I completed the project within a month.

• You can take a look at Rachna's Entrepedia illustrations and her other sketches on her blog, Doodle Doo.

UPDATE (December 9, 2011): Rachna has just begun drawing cartoon strips as a contributor to the Coolest Job campaign page. "The comic strip looks at the light side of life in the corporate world. Here's the first (see below) of many more to come... :)," she wrote on Facebook today.

Rachna is now, as she describes herself, the owner, designer, and "do-it-aller" of Doodle Doo, an online store for illustrated goodies. Check out the store here.

• Also read: Hadi Farahani: Quick on the draw