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Showing posts with label Pearls Before Swine. Show all posts
Showing posts with label Pearls Before Swine. Show all posts

Saturday, June 7, 2014

Earth-shaking news for the millions of fans of "Calvin and Hobbes"!

On my Facebook timeline today:


So does the creator of "Calvin and Hobbes" return to the comics page? Read all about it in this blog post by Stephan Pastis here. Enjoy!

ALSO READ:
UPDATE (June 9, 2014): The Washington Post has published an "exclusive" on this rare sighting of a reclusive artist. Read it here.

UPDATE (June 15, 2014): I have placed a copy of  Pearls Freaks the #*%# Out: A (Freaky) Pearls Before Swine Treasury in the Commits library. This Treasury is a treasure, I assure you! In addition, there are two copies of Calvin and Hobbes books as well as a Calvin and Hobbes omnibus. Enjoy!

Wednesday, May 30, 2012

When complaints from the public mean you must be doing something good

Those who work in the media have to know how to deal with complaints from the public. If you're a journalist, for instance, it feels good to have a reader (or viewer) writing in and commenting on what you have published (or aired), even if that comment is critical. You feel good because it means someone has read what you have written or watched your news show and taken it seriously enough to give you feedback. You don't have to get into a tizzy just because your work made someone angry. (You need to develop a thick skin early on, says CNN-IBN's Suhasini Haidar.) If the criticism is warranted, and there is an error in what you have reported, a correction may be in order. Otherwise, just read the e-mail and move on.

Would the same principle apply if you were a syndicated cartoonist? If you were Stephan Pastis, the creator of the laugh-out-loud Pearls Before Swine comic strip?

Judge for yourself from these excerpts taken from his introduction to a collection of Pearls strips, "The Sopratos":

Being a syndicated cartoonist means getting a lot of e-mail.

But the best of the best, the crème de la crème, are the complaints.


First, there are the just-plain-hate-filled folk, who load their e-mail with lots of exclamation points and keep hitting the “CAPS LOCK” button


“You think you’re funny, but you’re NOT!! You SUCK!!! Your comic has never made me laugh! Not even close! And you can’t draw worth SH*T!”

When I’m bored, I will sometimes send those people the following:


“Dear Pearls Fan, 

“Thank you for your kind words. Your support of Pearls is appreciated. Unfortunately, due to the overwhelming popularity of the strip, Mr. Pastis cannot respond to each and every one of his fans personally, but he’s glad to hear you enjoy the strip.”

More than not, that will trigger a follow-up e-mail. Those look like this:


“&$%@ you, you #&$@#*. I am NOT a fan of your @*&@ing comic. And DON’T SEND ME YOUR %#*#ing FORM E-MAILS.”

This of course means I have to send him the same response a second time.


Then there are the more specific folk. These people write when a particular strip or series of strips has angered them. Ohhh, there’ve been a few of these.


Off the top of my head, and in no particular order:

  • Greek people (upset at being depicted as dirty restaurant owners)
  • Parents of kids with ADD (angry at my saying they shouldn’t be drugged)
  • Palestinians (angry at the Jerusalem bus strip)
  • Bisexuals (furious that I called a lonely man who would date people of either sex a “desperasexual”)
  • Family Circus fans (angry over any number of things I’ve done — depicting the kids as grown-up alcoholics, having Dolly say, “I love my dead grandpa,” or having the kids shelter Osama Bin Laden for a week)
  • Family members of people suffering with Lou Gehrig’s disease (angry at Pig for saying how coincidental it was that a guy named Lou Gehrig died from something called “Lou Gehrig’s disease”.)
  • George W. Bush supporters (mad that I had Rat writing him a letter saying that if he was going to bomb all 192 countries, he’d better pick up the pace)
  • Homosexuals (mad that Rat called Pig a “fairy”)
  • Baby Blues fans (deeply offended that I would show their favourite characters being babysat by Rat, above, who sat alone at their kitchen table doing tequila shots)
  • Turkish people (apoplectic over my naming a llama “Ataturk”, a former leader of Turkey. This one even triggered a letter from the Turkish ambassador to the United States.)
  • Nuns (angry that I referred to a nun getting an enema)
  • Abraham Lincoln supporters (offended that I showed Lincoln saying, “I need to see another play like I need a hole in the head.”)
Add to these the more general never-ending complaints about having the characters swear, drink, smoke, and shoot guns, and it’s easy to see:

I’VE GOT THE GREATEST JOB IN THE WORLD.


Also read: "You won't believe how this popular comic strip artist gets his ideas".

Thursday, May 10, 2012

You won't believe how this popular comic strip artist gets his ideas


Stephan Pastis, the creator of the wildly successful Pearls Before Swine, says the process of humour writing is most akin to what they say about the sausage: It tastes great, but you probably don’t want to see how it’s made.

Pastis makes this claim in his introduction to This Little Piggy Stayed Home, a collection of Pearls strips that appeared in newspapers in 2002-03.

That introduction is proof, to me, that this comic strip artist is truly a funny man. Funny ha-ha, as well as funny peculiar. Read these excerpts and you will know what I mean:

The question I get the most from Pearls readers is, “Where do you get your ideas?” And the truth is I don’t know. What I do know is that most of the better ones seem to quite literally pop into my head, with most of the dialogue already written. A good example of this is one of the more popular daily strips, where Rat asks Pig, “If you could have a conversation with one person, living or dead, who would it be?” and Pig answers, “The living one.” I don’t think I spent more than a minute writing it. It was just there. The good ones always seem to be more “found” than “created”.


I also know that the ideas seem to come in bunches. If there’s one good idea, there’s usually a few more behind it…. It’s like all you have to do is keep the pen moving.

But the converse of this is also true. When there’s nothing there, there’s nothing there. I’ve had days where I’ve written for ten straight hours, not eating and not leaving my room, and I have not come up with a single idea. …


While the thought process remains more or less a mystery, I have learned that there are certain circumstances that seem to be more conducive to creativity than others. For me, the key is total isolation, loud music, and coffee. Every time I explain what I do to achieve this in interviews, I look unbelievably strange. But it’s the truth, and I am strange, so here goes.

First, I lock myself in a spare bedroom in our house. I remove the phone. I close the blinds. I even put a folding chair in front of the door, in case the lock doesn’t work. I also turn off the lights, leaving only the minimal amount of sunlight that comes in through the closed blinds to show me where the notepad is.

Second I turn on loud music. I have about a dozen compilation CDs that I’ve made, filled with what I think are great, soaring, more or less spiritual songs in which you can lose yourself. There tends to be a lot of U2, Peter Gabriel, Radiohead, Pink Floyd, and Counting Crows in the mix….

Third, I drink a lot of coffee…two large cups. For the first hour, I just drink the coffee and walk back and forth with my headphones on, head nodding up and down to the music, occasionally playing the air guitar, and air drums and dancing. As I’m usually wearing only my boxers, you now have a good visual of how strange this really is.


To make matters even stranger, I periodically go to my bookshelf and read the same sections of the same books over and over. They are: 1) the end of F. Scott Fitzgerald’s The Great Gatsby; 2) the beginning of Hunter Thompson’s Fear and Loathing in Las Vegas; and 3) Ernest Hemingway’s short story “A Clean, Well-Lighted Place”.

By the second hour of this, the ideas will usually start coming, and I’ll lie on my stomach on the floor and write them all down in a spiral notepad. I don’t draw at all. I only write. After about eight hours of this, I’ll usually have a week’s worth of strips written. Which means I can put on my pants and get dinner…hopefully in that order.


So now you know.

And then Pastis has the last word, or three. Enjoy your sausage, he tells us.

If you're a Pearls fan, you will agree that in Pastiss case we not only relish our sausage but also revel in seeing how it is made.
  • For more advice on cartooning from Stephan Pastis, visit the official Pearls Before Swine blog: Cartooning 101.
  • Photograph and comic strips © Stephan Pastis